- Hannah D., Tironi, M. “Collectives,” Environmental Alterities, Eds. Cristóbal Bonnelli and Antonia Walford, Manchester: Mattering Press, 2021 (Forthcoming)
- Hannah, D., Roushan, A., Samman, N., Stankievech, C., “Sleep of Reason: An Atlas of the Philosophical Imaginary” Afterall, 50th Anniversary Issue, Winter 2020
- Hannah, D., “The Philosopher Against the Clouds,” Nanna Debois-Buhl—Cloud Behavior, Humboldt Books & Laboratory for Arts and Ecology, 2020
- Hannah D., “AESTHETICS,” Connectedness: an Incomplete Encyclopedia of the Anthropocene, Ed. Marianne Krogh, Strandberg Publishing, 2020
- Hannah D., Stankievech, C. “The Future was Yesterday,” Climate Fictions—A Special Issue of Paradoxa: Studies in World Literary Genres, 31, (2019-20) 37-46
- Hannah D., Vogt. G. “Landscapes in Mutation,” Mutation and Morphosis: Landscape as Aggregate, edited by Günther Vogt and Thomas Kissling, Lars Müller Publishers, 2020, 110-119 (Link)
- Hannah, D., Samman, N. (2019), “The Subduction Zone,” Juliana Cerquiera Leite—Orogenesis, London: Trolley Books (Link)
- Hannah, D. (2018) “Field Philosophy,” Julian Charrière—An Invitation to Disappear, Musée des Bagnes \ Kunsthalle Mainz, Amsterdam: Roma Publications (Link) & Liner Notes, An Invitation To Disappearby Inland (Ed Davenport) & Julian Charrière, double LP & Digital Album, A-ton Records, 2018 (Link)
- Hannah, D. (2018) “Exposure,” Julian Charrière—Second Suns, Nadim Samman (Ed.), Hatje Cantz Verlag (Link)
- Hannah, D., Samman, N. (2018) “Field Excises,” Fabian Knecht—Antikörper | Antibody, Alexander Levy/Isabelle Meiffert (Eds.) Kerber Verlag (Link)
- Hannah, D., Jeremijenko, N. (2017) “Natalie Jeremijenko’s New Experimentalism,” In: Grusin, R. (Ed.) Anthropocene Feminism, Minneapolis: University of Minnesota Press (Link)
- Hannah, D., Selin, C., (2016) “Unseasonal Fashion: A Manifesto,” Climates: Architecture and the Planetary Imaginary, The Avery Review & Lars Müller Publishers, 222-231 (Link)
- Kirksey, E., Hannah, D., Nichols, C., Moore, L.J. (2016) “The Xenopus Test: A Performative Experiment,” Environmental Humanities Vol. 8.1 (Link)
- Hannah, D., La Berge, L.C. (2016) “Debt Aesthetics: Medium Specificity and Social Practice in the Work of Cassie Thornton”, (Special Issue on Finance: Tiermey, M., Nilges, M.) Postmodern Culture Vol. 25, No. 2 (Link)
- Hannah, D. (2015) “One Spike After Another: Site Specificity and Anthropocene Stratigraphy.” In: Hannah, D., Krajewski. S., (Eds.) Placing the Golden Spike: Landscapes of the Anthropocene, Portland: Publication Studio. 20-27
- Witzke, A.S., Hannah, D. (2014) “Luftvariationer: Nye Kunst og Kulturhistoriske Forståelser af Luft,” Kulturo 38:1-17
- Hannah, D. (2013) “Review of Literature About Art and Climate Change.” In: Black, B.C., Hassenzahl, D.M., Stephens, J.C. (Eds.) Climate Change: An Encyclopedia of Science and History, ABC-CLIO, 2013, 90-96
- Hannah, D. (2013) “Art and Ocean Acidification,” In: Black, B.C., Hassenzahl, D.M., Stephens, J.C. (Eds.) Climate Change: An Encyclopedia of Science and History, ABC-CLIO, 2013, 457-459
